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Rare Genuine Ancient Greek silver coin Euboia Histiaia 146-196 BC Tetrobol Nymph

$ 76.55

Availability: 49 in stock
  • Composition: Silver
  • Provenance: thrace
  • Era: Ancient
  • Condition: Coin is good condition and a very rare and nice inclusion to the finest ancient coin collection.Authenticity guaranteed.!!! COA included!!
  • Certification: Uncertified
  • Date: 196bc
  • Denomination: Tetrobol
  • Year: 196 BC
  • Historical Period: Greek (450 BC-100 AD)

    Description

    One original ancient Greek silver coin
    Greek city on the island of
    Euboea Histiaea. 196-146 BC. AR Tetrobol.
    AR 11-12mm.1.46gm.
    Obv./
    Head of nymph Histiaia right, hair wreathed with vine.
    Rev./
    / Nymph Histiaia sitting right on stern of galley, ornamented with crescent, holding stylis.
    BMC 122
    Rare and interesting coin as pictured.
    Coin is good condition and a very rare and nice inclusion to the finest ancient coin collection.
    Authenticity guaranteed.!!! COA included!!
    Situated in the far north of the island, Histiaia did not begin producing coinage until the mid-4th Century B.C. From its extensive silver issues in the Hellenistic age it would appear to be a place of considerable commercial importance.
    Istiaia
    (Ιστιαία) is a municipality in
    Euboea
    ,
    Greece
    , and the former capital of the prefecture of
    Evia
    . Its population is 7,353 (2001). The town is located in the northern end of the island.
    Istiaia is mentioned in the
    Iliad
    by the ancient Greek poet,
    Homer
    for its rich
    vineyards
    .
    In this 1896 painting by
    John William Waterhouse
    ,
    Hylas
    is abducted by the
    Naiads
    , i.e. fresh water nymphs
    Echo
    , an
    Oread
    (mountain nymph) watches
    Narcissus
    in this 1903 painting by
    John William Waterhouse
    .
    A
    nymph
    (
    Greek
    :
    νύμφη
    ,
    nymphē
    ) in
    Greek mythology
    and in
    Latin mythology
    is a minor female nature deity typically associated with a particular location or landform. Different from goddesses, nymphs are generally regarded as divine spirits who animate nature, and are usually depicted as beautiful, young
    nubile
    maidens who love to dance and sing; their amorous freedom sets them apart from the restricted and chaste wives and daughters of the Greek
    polis
    . They are believed to dwell in mountains and
    groves
    , by springs and rivers, and also in trees and in valleys and cool
    grottoes
    . Although they would never die of old age nor illness, and could give birth to fully immortal children if mated to a god, they themselves were not necessarily immortal, and could be beholden to death in various forms.
    Charybdis
    and
    Scylla
    were once nymphs.
    Other nymphs, always in the shape of young maidens, were part of the
    retinue
    of a god, such as
    Dionysus
    ,
    Hermes
    , or
    Pan
    , or a goddess, generally the huntress
    Artemis
    . Nymphs were the frequent target of
    satyrs
    .
    Etymology
    Nymphs are personifications of the creative and fostering activities of nature, most often identified with the life-giving outflow of springs: as
    Walter Burkert
    (Burkert 1985:III.3.3) remarks, "The idea that rivers are gods and springs divine nymphs is deeply rooted not only in poetry but in belief and ritual; the worship of these deities is limited only by the fact that they are inseparably identified with a specific locality."
    The
    Greek
    word
    νύμφη
    has "bride" and "veiled" among its meanings: hence a marriageable young woman. Other readers refer the word (and also
    Latin
    nubere
    and
    German
    Knospe
    ) to a root expressing the idea of "swelling" (according to
    Hesychius
    , one of the meanings of
    νύμφη
    is "rose-bud").
    Adaptations
    The Greek nymphs were spirits invariably bound to places, not unlike the Latin
    genius loci
    , and the difficulty of transferring their cult may be seen in the complicated myth that brought
    Arethusa
    to Sicily. In the works of the Greek-educated
    Latin poets
    , the nymphs gradually absorbed into their ranks the indigenous Italian divinities of springs and streams (
    Juturna
    ,
    Egeria
    ,
    Carmentis
    ,
    Fontus
    ), while the
    Lymphae
    (originally Lumpae), Italian water-goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae. The mythologies of classicizing Roman poets were unlikely to have affected the rites and cult of individual nymphs venerated by country people in the springs and clefts of
    Latium
    . Among the
    Roman
    literate class, their sphere of influence was restricted, and they appear almost exclusively as divinities of the watery element. Nymphs are also portrayed as selfish and as attention seekers who walk around naked in the middle of forests.
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